Rhestr o Awduron

CONSTANTINE, MARY-ANN

Enillodd Mary-Ann Constantine radd mewn Llên Saesneg yng Ngholeg Clare, Caer-grawnt (1988–91), ac yna bu’n astudio ar gyfer doethuriaeth ar Lên Gwerin Llydaw yn yr Adran Eingl Sacsoneg, Hen Norwyeg a Chelteg.  Symudodd i Brifysgol Cymru Aberystwyth ym 1995, gan ddal nifer o ysgoloriaethau ymchwil yn yr Adran Gymraeg yno.  Yn ystod y cyfnod hwn bu’n dysgu amrywiaeth o gyrsiau ym maes astudiaethau Cymraeg a Cheltaidd.  Ymunodd â phrosiect Iolo Morganwg a’r Traddodiad Rhamantaidd yng Nghymru yno ym Mawrth 2002.

Prif ddiddordeb ymchwil Mary-Ann yw awduron y cyfnod Rhamantaidd a’u llenyddiaeth, a’r cysylltiadau rhwng ffurfiau llenyddol ‘uchel’ ac ‘isel’.  Hyd yn hyn mae wedi canolbwyntio ar sut y trawsffurfiwyd cynnyrch y werin bobl, megis baledi llafar Llydaw, gan gasglwyr a golygyddion ar gyfer cynulleidfa newydd o ddarllenwyr Rhamantaidd.  Mae’r un diddordeb mewn materion o ddilysrwydd a pherchnogaeth, yn ogystal â chwestiynau am genedlaetholdeb Rhamantaidd, yn ganolog i’w gwaith ar Iolo Morganwg.  Yn ei chyfrol ddiweddaraf mae’n cymharu Iolo â rhai o awduron eraill y cyfnod a ystyrid yn ‘ffugwyr’, sef James Macpherson, Thomas Chatterton a’r Llydawr Hersart de La Villemarqué.

Detholiad o Gyhoeddiadau:
The Truth Against the World: Iolo Morganwg and Romantic Forgery (Cardiff, 2007).
“Viewing Most Things Thro’ False Mediums”’: Iolo Morganwg (1747-1826) and English Perceptions of Wales in Claire Lamont and Michael Rossington (eds), Romanticism’s Debatable Lands (Basingstoke, 2007), 27-38.
“A Subject of Conversation”: Iolo Morganwg, Hannah More and Ann Yearsley, in Damian Walford Davies and Lynda Pratt (eds), Wales and the Romantic Imagination (Cardiff, 2007).
Chasing Fragments: Iolo, Ritson and Robin Hood, in Sally Harper and Wyn Thomas (eds), Cynheiliaid y Gân: Ysgrifau i anrhydeddu Phyllis Kinney and Meredydd Evans  / Bearers of Song: Essays in honour of Phyllis Kinney and Meredydd Evans (Cardiff, 2007), 51-7.
“This wildernessed business of publication”: the making of Poems, Lyric and Pastoral (1794), in Geraint H. Jenkins (ed.), Rattleskull Genius: the Many Faces of Iolo Morganwg (Cardiff, 2006), 123-45. 
Celtic Literatures, in Peter France and Kenneth Haynes (eds), The Oxford History of Literary Translation in English, Volume 4 (1790-1900) (Oxford, 2006).
Songs and Stones: Iolo Morganwg (1747-1826), Mason and Bard, The Eighteenth Century: Theory and Interpretation, volume 47, numbers 2/3 (Summer/Fall 2006), 233-51. 
Iolo Morganwg, Chatterton and Bristol, in Alistair Heys (ed.), From Gothic to Romantic: Chatterton’s Bristol (Bristol, 2005), 104-15.
Ossian in Wales and Brittany, in Howard Gaskill (ed.), The Reception of Ossian in Europe (London, 2004), 67-90.
A Welsh Bard in Wiltshire: Iolo Morganwg, Silbury and the Sarsens, (gyda Jon Cannon) Wiltshire Archaeological and Natural History Society Magazine, volume 97 (2004), 78-88. 
Neither flesh nor fowl: Merlin as bird-man in Breton folk tradition, Arthurian Literature, XXI (2004) ed. Ceridwen Lloyd-Morgan, 95-114.
Fragments and Meaning in Traditional Song: from the Blues to the Baltic. (gyda Gerald Porter) British Academy Monographs Series (Oxford, 2003). "Combustible Matter": Iolo Morganwg and the Bristol Volcano (Aberystwyth, 2003).
Saints Behaving Badly: Sanctity and Transgression in Breton Popular Tradition, in Jane Cartwright (ed.), Celtic Hagiography and Saints’ Cults, (Cardiff, 2003), 198-215.
The Wreck of the Royal Charter: Welsh and English Ballads, in Mary-Ann Constantine (ed.), Ballads in Wales / Baledi Yng Nghymru, FLS Books (London, 1999), 65-85.
Ballads Crossing Borders: La Villemarqué and the Breton Lenore, in Translation & Literature (Volume 8, Part 2, 1999), 197-216.
Breton Ballads (Aberystwyth, 1996) [Katharine Briggs Award, 1996]. Prophecy and Pastiche in the Breton ballads: Groac’h Ahès and Gwenc’hlan, Cambrian Medieval Celtic Studies, volume 30, (Winter, 1995), 87-121.